Golden records goofy easter parade tv#
Stage and TV writer/lyricist Marshall Barer was responsible for numerous songs on early Golden Records, many with lyrics by Mary Rodgers (“Freaky Friday”).
Golden records goofy easter parade series#
These music beds can be heard on other Golden “Happy Birthday” records as needed, and “The Unbirthday Song” track-which we hear on side two when Goofy consoles a dejected Donald Duck–comes from the Anne Lloyd version of the tune that was done for Golden’s Alice in Wonderland series of records. This is one of many Golden Records of the period in which Jimmy Macdonald, Clarence Nash and Pinto Colvig recorded dialog in Hollywood that was mixed with musical material made in New York. (Indeed, the Mickey Mouse side of this record was later reissued.) They played about four times as long as the Little Golden Records, so their material could be re-purposed on the smaller discs, too. Golden Records and its founder, Arthur Shimkin, were among the biggest players as merchandise licensees with Disney, so 1955 saw an avalanche of Golden/Disney audio rolling into stores (Doctor Who, where are you for collectors like us?)Īmong the most interesting new items were the “Big Golden Records.” Basically, these were ordinary 10-inch 78 RPM records, pressed in yellow plastic–but to kids who were used to 6-inch discs they were like discs from Mount Olympus. Voices: Jimmy Macdonald (Mickey Mouse, Narrator) Clarence Nash (Donald Duck) Pinto Colvig (Goofy), The Sandpiper Singers.Īs Golden Records had proven on the “Song Parade” albums we explored earlier this year, there was an effort to establish “Disneyland” in the public mindset as the world’s central location for all things Disney, from the moment Walt himself proclaimed it on the first episode of his TV series.
Songs: “Happy Birthday” (Traditional) “The Unbirthday Song” by Al Hoffman, Mack David, Jerry Livingston.
With the Original Voices of Donald Duck, Mickey Mouse and Goofyīig Golden Records DBR3-98 (10” 78 RPM / Mono) James Herring is the co-founder of creative PR agency Taylor Herring.When “Mickey’s friends from Disneyland” gather for a surprise birthday party, a sullen Donald needs a “Goofy Knows Best” moment on this disc from the mid-‘50s. Hire a decent agency that knows the game (*coughs*) Remember you are not trying to hoodwink the media – you are delivering something smart, artful and entertaining that will delight their readers.Ĩ. Always ask the difficult questions – what could go wrong?ħ. With the right idea a brand can also engage with its audience on a far more meaningful level, building in social, experiential and interactive elements.Ħ. The best stunt marketing is both audacious and bold – the greater the risk the greater the return.ĥ. People love audacity, originality, bravery and of course they love to be entertained. There are endless opportunities to ride the topical news agenda and calendar events as a platform to talk about your brand.Ĥ. Sometimes it’s easier to join a conversation than start one. Great campaigns prompt people to learn more they will want to know ‘who did this and why?’ģ. Credit the audience and media with some intelligence and respect. Most stunts necessitate a picture and video element – and if that’s the case you need to resist the temptation to kill them with corporate branding and logos. Stunts need to be entertaining and engaging but they must also be rooted in a coherent narrative that integrates with the rest of the marketing message.Ģ. A 100ft naked image of Gail Porter was projected on to the Houses of Parliament in 1999 as part of a publicity stunt by FHM magazine.
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